I've developed a free-flowing and interpretive way to create these wordless comics so they can be rearranged and easily adapted to different assets.
As they are meant to be (mostly) wordless, they rely on the visuals to tie a narrative together for the viewers. Besides graphic design, I wanted to explore other storytelling methods. With designing, it's about creating a simple yet effective way to communicate a message to the viewer that is memorable and easy to digest. I took those ideas with a spin by incorporating my illustration style and my understanding of comic paneling to create Wordless Comics.
Acire's 2025 Portfolio, 2025, ink on paper; Personal project and branding
Vectorized and adapted into a website banner, social graphic, and printed assets.
Vectorized and adapted into a website banner, social graphic, and printed assets.
Little Red Riding Hood, 2024-25, creative marker on fabric; Personal project
Originally drawn on a hoodie, redrawn and vectorized digitally to create stickers and dual colour prints.
Originally drawn on a hoodie, redrawn and vectorized digitally to create stickers and dual colour prints.
Order of Business, 2024-25, marker on Bristol smooth papers; for nonfiction studios.
Original as a hand-drawn poster, vectorized for other assets.
Original as a hand-drawn poster, vectorized for other assets.
Dream Sequence, 2023, marker, pen, and gold ink on paper; 2023 Inktober
Based on the annual Inktober prompt, this comic was created as my entry/participation.
Based on the annual Inktober prompt, this comic was created as my entry/participation.
Interpretive Ending, 2023, Pen on transfer paper; Personal project and art shows
Applied and adapted into screen-printed fabric and laser cut and engraved squeegee sculpture.
Applied and adapted into screen-printed fabric and laser cut and engraved squeegee sculpture.